Preview Mode Links will not work in preview mode

Hi! Welcome to Quite Useless, a podcast about art and its role in our lives. Thanks for stopping by. You can find every published episode below. Or, if you'd like to opt for a more convenient listening experience, you can stream, download, and subscribe to Quite Useless on iTunes, Spotify, iHeartRadio, TuneIn, Google Play, or wherever you get your podcasts. And don't hesitate to drop me line via the Contact link above.

Greg

Dec 18, 2017

Screenwriter Charlie Kaufmann couldn't figure out how to tell the story he was trying to tell... until he figured out how to frame it.

A story about adaptations (framed as a story about frames), with reference to Stephen Belber, Richard Linklater, Stephen King, Stanley Kubrick, and some wild fan theories (including my...


Nov 15, 2017

First Blood, the first installment in the iconic Rambo franchise, was released 35 years ago this fall. In this episode, I take a look at how the franchise has both reflected and influenced American culture--and question both the ethical and epistemic implications of the films' success.

This is the second part of a...


Nov 15, 2017

Eric Poulin, host of the political podcast The People's Soapbox, takes a look at the classic 1988 action movie Die Hard, asking what its development and continued popularity tell us American cultural--both then and now.

Also, Eric and I discover something shady as we're preparing the episode to air...

This is the first...


Oct 25, 2017

What do Anton Chekhov, Dr. Seuss, and Bruce Springsteen have in common (aside from similar haircuts)? Their work has been misunderstood and misconstrued--whether they knew it or not. Episode two kicks off a four-episode mini-arc about the ethics and ironies of interpretation and adaptation. Fair warning: after hearing...


Oct 4, 2017

For our first episode, we zoom out to look at the long arcs of artistic expression.

Bring to mind a painting. Then bring to mind a piece of instrumental music. Chances are, the painting depicts something in the world, while the musical piece doesn't. Why is that? And what might past developments in art and music tell us...